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		<title>George Dyson: Computer science need more biologists</title>
		<link>http://thomnagy.com/2012/02/20/george-dyson-computer-science-need-more-biologists/</link>
		<comments>http://thomnagy.com/2012/02/20/george-dyson-computer-science-need-more-biologists/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 13:28:00 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[notes]]></category>

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		<description><![CDATA[Dyson: We have created this expanding computational universe, and it’s open to the evolution of all kinds of things. It’s cycling faster and faster, and it’s way, way, way more than doubling in scale every year. Even with the help &#8230; <a href="http://thomnagy.com/2012/02/20/george-dyson-computer-science-need-more-biologists/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1117&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<blockquote><p>Dyson: We have created this expanding computational universe, and it’s open to the evolution of all kinds of things. It’s cycling faster and faster, and it’s way, way, way more than doubling in scale every year. Even with the help of Google and YouTube and Facebook, we can’t consume it all. And we aren’t really aware what this vast space is filling up with. From the human perspective, computers are idle 99 percent of the time, just waiting for the next instruction. While they’re waiting for us to come up with instructions, more and more computation is happening without us, as computers write instructions for each other. And as Turing showed mathematically, this space can’t be supervised. As the digital universe expands, so does this wild, undomesticated side.</p>
<p><strong>Wired: If this is true, what’s the takeaway?</strong><br />
Dyson: Hire biologists! It doesn’t make sense for a high tech company to have 3,000 software engineers but no biologists.</p>
<p><strong>Wired: One last question: What do you mean by “Turing’s cathedral”?</strong><br />
Dyson: In Turing’s 1950 paper, “Computing Machinery and Intelligence,” he argued that when we build intelligent machines, we will not be creating souls but building the mansions for the souls that God creates. When I first visited Google, right about the time it went public, I walked around and saw what they were doing and realized they were building a very large distributed AI, much as Turing had predicted. And I thought, my God, this is not Turing’s mansion—this is Turing’s cathedral. Cathedrals were built over hundreds of years by thousands of nameless people, each one carving a little corner somewhere or adding one little stone. That’s how I feel about the whole computational universe. Everybody is putting these small stones in place, incrementally creating this cathedral that no one could even imagine doing on their own.</p>
<p>via <a href="http://www.wired.com/magazine/2012/02/ff_dysonqa/all/1">Q&amp;A: Hacker Historian George Dyson Sits Down With Wireds Kevin Kelly | Wired Magazine | Wired.com</a>.</p></blockquote>
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		<title>BuzzFeed: Der funktionierende Prototyp einer &#8220;Distributed Media Company&#8221;</title>
		<link>http://thomnagy.com/2012/02/16/buzzfeed-der-funktionierende-prototyp-einer-distributed-media-company/</link>
		<comments>http://thomnagy.com/2012/02/16/buzzfeed-der-funktionierende-prototyp-einer-distributed-media-company/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 07:53:28 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[thoughts]]></category>

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		<description><![CDATA[Seitdem BuzzFeed, eine Website, die sich auf virale Inhalte spezialisiert hat, den Polit-Starreporter Ben Smith von Politico abgeworben hat, wird sie plötzlich auch von Leuten beachtet, die sich wahrscheinlich nur am Rande für Ressorts wie LOL, cute, omg oder wtf? &#8230; <a href="http://thomnagy.com/2012/02/16/buzzfeed-der-funktionierende-prototyp-einer-distributed-media-company/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1112&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Seitdem <a href="http://www.buzzfeed.com/" target="_blank">BuzzFeed</a>, eine Website, die sich auf virale Inhalte spezialisiert hat, den Polit-Starreporter Ben Smith von Politico abgeworben hat, wird sie plötzlich auch von Leuten beachtet, die sich wahrscheinlich nur am Rande für Ressorts wie <a href="http://www.buzzfeed.com/lol" target="_blank">LOL</a>, <a href="http://www.buzzfeed.com/cute" target="_blank">cute</a>, <a href="http://www.buzzfeed.com/omg" target="_blank">omg</a> oder <a href="http://www.buzzfeed.com/wtf" target="_blank">wtf?</a> interessieren. Nach <a href="http://www.betabeat.com/2012/01/18/buzzfeed-jonah-peretti-meme-streak-ben-smith/?show=all" target="_blank">diesem Betabeat-Artikel</a>, der die BuzzFeed zugrunde liegende Logik schön beschreibt, stiess ich heute auf einen <a href="http://www.capitalnewyork.com/article/media/2012/02/5267172/some-best-guesses-about-what-buzzfeed-and-why-it-fact-about-arianna-li" target="_blank">spekulativen Artikel</a>, in dem sich der Autor Gedanken über die Ziele der Organisation macht.</p>
<blockquote><p>The goal of Buzzfeed is not to make people &#8220;bookmark&#8221; them in their browser. In some ways, having one&#8217;s own website, in the Perettian way of looking, is only important at the level of monetization: The models aren&#8217;t quite there yet for monetizing a 100 percent distributed brand. So in the meantime we have a &#8220;website.&#8221; But the main goal is to rule Facebook, not to rule with its own homepage. It&#8217;s about market share. On one end of the wedge, there is an individual&#8217;s news feed, and their level of attention to it; that&#8217;s a small place, and there isn&#8217;t room for a lot of different media organizations to speak to people there. On the other end, the number of people who rely on those feeds to tell them what to view on the web—to use it as not just their main but really their only portal to the wide web—is constantly increasing. Right now is the time to kick everyone else out of there. That, I believe, is what BuzzFeed is being built to do.</p></blockquote>
<p>Das deckt sich erstaunlich weit mit einer Aussage, die Jeff Jarvis <a href="http://www.buzzmachine.com/2006/12/27/size-doesnt-matter-the-distributed-media-economy/" target="_blank">bereits 2006 gemacht hat</a>: Die Medienorganisation der Zukunft funktioniert ihm zufolge nicht mehr über eine einzelne Website als Zentrum ihrer Aktivitäten, sondern &#8220;lebt&#8221; verteilt über verschiedenste Plattformen &#8211; zurzeit ist das Facebook, aber das kann sich auch wieder ändern &#8211; und erreicht die Menschen mit ihren Inhalten dort, wo sie sich gerade aufhalten. Es hat zwar eine Weile gedauert, aber mit BuzzFeed scheint diese Art von Medienorganisation zum ersten Mal in den Mainstream vorzudringen. Die Luft für <a href="http://thomnagy.com/2011/01/23/nzz-calling-oder-so-2/" target="_blank">uns Mediendinosaurier</a> wird zunehmend dünner.</p>
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		<title>Ark &#8211; Loops Haunt</title>
		<link>http://thomnagy.com/2012/02/08/ark-loops-haunt/</link>
		<comments>http://thomnagy.com/2012/02/08/ark-loops-haunt/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 21:02:23 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[ideas]]></category>
		<category><![CDATA[electro]]></category>
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		<title>Die Popularität von News auf Twitter ist vorhersagbar</title>
		<link>http://thomnagy.com/2012/02/08/die-popularitat-von-news-auf-twitter-ist-vorhersagbar/</link>
		<comments>http://thomnagy.com/2012/02/08/die-popularitat-von-news-auf-twitter-ist-vorhersagbar/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 11:03:37 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[notes]]></category>
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		<category><![CDATA[social media]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://thomnagy.com/?p=1098</guid>
		<description><![CDATA[News articles are extremely time sensitive by nature. There is also intense competition among news items to propagate as widely as possible. Hence, the task of predicting the popularity of news items on the social web is both interesting and &#8230; <a href="http://thomnagy.com/2012/02/08/die-popularitat-von-news-auf-twitter-ist-vorhersagbar/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1098&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<blockquote><p>News articles are extremely time sensitive by nature. There is also intense competition among news items to propagate as widely as possible. Hence, the task of predicting the popularity of news items on the social web is both interesting and challenging. Prior research has dealt with predicting eventual online popularity based on early popularity. It is most desirable, however, to predict the popularity of items prior to their release, fostering the possibility of appropriate decision making to modify an article and the manner of its publication. In this paper, we construct a multi-dimensional feature space derived from properties of an article and evaluate the efficacy of these features to serve as predictors of online popularity. We examine both regression and classification algorithms and demonstrate that despite randomness in human behavior, it is possible to predict ranges of popularity on twitter with an overall 84% accuracy. Our study also serves to illustrate the differences between traditionally prominent sources and those immensely popular on the social web.</p></blockquote>
<p>via <a href="http://arxiv.org/abs/1202.0332">The Pulse of News in Social Media: Forecasting Popularity</a>.</p>
<p>Vier Kriterien wurden in der wissenschaftlichen Studie betrachtet:</p>
<ul>
<li>the news source that generates and posts the article</li>
<li>the category of news</li>
<li>the subjectivity of the language</li>
<li>the people and things named in the article</li>
</ul>
<p>(<a href="http://thomnagy.files.wordpress.com/2012/02/the-pulse-of-news-in-social-media.pdf" target="_blank">hier noch ein Link zum pdf auf diesem Server</a>, falls das <a href="http://arxiv.org/pdf/1202.0332v1" target="_blank">Original</a> offline gehen sollte)</p>
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		<title>Der gläserne Surfer</title>
		<link>http://thomnagy.com/2012/02/08/der-glaserne-surfer/</link>
		<comments>http://thomnagy.com/2012/02/08/der-glaserne-surfer/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 07:36:35 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
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		<description><![CDATA[Advertisements, discounts, information, and entertainment are increasingly customized by a largely invisible industry on the basis of a vast amount of information that we likely don&#8217;t realize it is collecting as a result of social profiles and reputations it assigns &#8230; <a href="http://thomnagy.com/2012/02/08/der-glaserne-surfer/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1096&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<blockquote><p>Advertisements, discounts, information, and entertainment are increasingly customized by a largely invisible industry on the basis of a vast amount of information that we likely don&#8217;t realize it is collecting as a result of social profiles and reputations it assigns us and never discloses, and about which we are likely ignorant.</p></blockquote>
<p>Kein neues Thema, das The Atlantic  aufgreift, besonders nicht für Medienschaffende. Trotzdem: Wer sich fürs Thema digital profiling interessiert (und eigentlich sollte das jeder, der auf diese Seite stösst), findet <a href="http://www.theatlantic.com/technology/archive/2012/02/a-guide-to-the-digital-advertising-industry-thats-watching-your-every-click/252667/" target="_blank">hier</a> einen guten Einstieg.</p>
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		<title>The Weekend Session</title>
		<link>http://thomnagy.com/2012/02/03/the-weekend-session/</link>
		<comments>http://thomnagy.com/2012/02/03/the-weekend-session/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 10:03:00 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[sounds]]></category>
		<category><![CDATA[luc montini]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[oli joliat]]></category>
		<category><![CDATA[weekend session]]></category>

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		<description><![CDATA[Luc Montini erklärt im BaZ-Interview, worum es bei diesem Projekt mit 26 Musikern geht: Ich war der Meinung, dass ein Studio auch als Instrument genutzt werden kann. So wie die ganz grossen Bands früher, etwa Def Leppard, die sich für &#8230; <a href="http://thomnagy.com/2012/02/03/the-weekend-session/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1058&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://thomnagy.files.wordpress.com/2012/02/weekendsession_theband.jpg"><img src="http://thomnagy.files.wordpress.com/2012/02/weekendsession_theband.jpg?w=584&#038;h=120" alt="" title="weekendsession_theband" width="584" height="120" class="alignnone size-full wp-image-1064" /></a></p>
<object height="81" width="100%"><param name="wmode" value="transparent"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F35027107&amp;g=1&amp;"></param><embed height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F35027107&amp;g=1&amp;" type="application/x-shockwave-flash" width="100%"> </embed> </object>
<object height="81" width="100%"><param name="wmode" value="transparent"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F35025054&amp;g=1&amp;"></param><embed height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F35025054&amp;g=1&amp;" type="application/x-shockwave-flash" width="100%"> </embed> </object>
<p>Luc Montini erklärt im BaZ-Interview, worum es bei diesem Projekt mit 26 Musikern geht:</p>
<blockquote><p>Ich war der Meinung, dass ein Studio auch als Instrument genutzt werden kann. So wie die ganz grossen Bands früher, etwa Def Leppard, die sich für eine Album eineinhalb Jahre lang in einem Studio auf den Bahamas verschanzt haben, um Musik zu machen. Dass die Session sich über wenige Tage erstreckt, passiert in Anlehnung an die legendären Desert Sessions der ganzen US-Wüstenrockern. </p></blockquote>
<p>Mehr dazu:<br />
<a href="http://blog.bazonline.ch/schlaglicht/index.php/6371/ungeschliffene-momentaufnahmen/">Ungeschliffene Momentaufnahmen « Schlaglicht</a>.<br />
<a href="http://www.tageswoche.ch/de/2012_05/kultur/361568/">Ungefilterte Liftmusik</a></p>
<p>Plattentaufe, 3.2.2012, Kaserne Basel:<br />

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		<title>ih libe das internet saytung</title>
		<link>http://thomnagy.com/2012/02/02/ih-libe-das-internet-saytung/</link>
		<comments>http://thomnagy.com/2012/02/02/ih-libe-das-internet-saytung/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 08:24:23 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[thoughts]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://thomnagy.com/?p=1047</guid>
		<description><![CDATA[Es ist schon recht grossartig, diese Internet. Da sitze ich neulich eines Nachts nichtsahnend vor dem Computer, als mich folgende @reply erreicht: @ThomNagy alo thom! Ih libe dayn sosyal medya! ih habe geleysen file von daynem internet saytung. gratulasyon!! Meine &#8230; <a href="http://thomnagy.com/2012/02/02/ih-libe-das-internet-saytung/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1047&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://thomnagy.files.wordpress.com/2012/02/183857_10150091792282638_131422142637_6459057_132755_n.jpg"><img class="size-full wp-image-1051 aligncenter" title="183857_10150091792282638_131422142637_6459057_132755_n" src="http://thomnagy.files.wordpress.com/2012/02/183857_10150091792282638_131422142637_6459057_132755_n.jpg?w=584" alt=""   /></a></p>
<p>Es ist schon recht grossartig, diese Internet. Da sitze ich neulich eines Nachts nichtsahnend vor dem Computer, als mich <a href="https://twitter.com/#!/cacikci_cocuk/status/164120990878666752" target="_blank">folgende @reply </a>erreicht:</p>
<blockquote><p>@ThomNagy alo thom! Ih libe dayn sosyal medya! ih habe geleysen file von daynem internet saytung. gratulasyon!!</p></blockquote>
<p>Meine erste Reaktion: Hä, WTF? Die zweite: ROTFL. Und die dritte, als ich schon im Bett lag und den Tag Revue passieren liess: Wow! Obwohl <a href="https://twitter.com/#!/cacikci_cocuk" target="_blank">Cacıkcı Çocuk</a> (wahrscheinlich) nur im Kopf eines <a href="http://www.kult.ch/article.php?article_id=3337" target="_blank">begnadeten Geschichtenerzählers</a> lebt, kann ich via Twitter tatsächlich mit einer literarischen Figur interagieren. Das macht sie lebendiger, als viele der Kunstfiguren, denen man in Büchern begegnet. Çocuk <a href="https://twitter.com/#!/cacikci_cocuk/status/164378890087841794" target="_blank">kommentiert</a> das Wetter, <a href="https://twitter.com/#!/cacikci_cocuk/status/164710060273053697" target="_blank">fragt</a> nach der sosyal medya strateji der Swiss Music Awards, <a href="https://twitter.com/#!/cacikci_cocuk/status/160156192000315393" target="_blank">reicht</a> Schweizer Promis seine helfende Hand, <a href="https://twitter.com/#!/cacikci_cocuk/status/164121360380067842" target="_blank">freut</a> sich über meine ritivits und sondert noch viel mehr umwerfende Statements ab. Wie grossartig ist das denn?</p>
<p>Wenn wir schon beim Thema Humor/Internetz sind: <a href="http://foodonmydog.tumblr.com/" target="_blank">Food on my dog</a>. Was für ein episch lustiger Blog. Gestern ging ich in meiner Begeisterung soweit und bezeichnete das Ding gegenüber einem Kollegen als Vertreter eines neuen literarischen Genres: Absoluter Nonsense, derart konsequent auf die Spitze getrieben, dass er zum Meisterwerk wird. Und wenn man sich <a href="http://garfieldminusgarfield.net/" target="_blank">all</a> <a href="http://hungoverowls.tumblr.com/" target="_blank">die</a> <a href="http://www.themonkeysyouordered.com/" target="_blank">absurden</a> Tumblr-Blogs vor Augen führt, ist die Aussage nicht einmal ganz so wahnsinnig, wie sie auf den ersten Blick scheint. Hach, ich liebe das Internet.</p>
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		<title>Kommentar-Trouvaille auf dem Medienspiegel</title>
		<link>http://thomnagy.com/2012/01/31/kommentar-trouvaille-auf-dem-medienspiegel/</link>
		<comments>http://thomnagy.com/2012/01/31/kommentar-trouvaille-auf-dem-medienspiegel/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 08:23:13 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[notes]]></category>
		<category><![CDATA[kommentar]]></category>
		<category><![CDATA[kurt imhof]]></category>
		<category><![CDATA[medienspiegel]]></category>

		<guid isPermaLink="false">http://thomnagy.com/?p=1043</guid>
		<description><![CDATA[Auch wenn viele Kommentarschlachten auf medienspiegel.ch schnell ins Sinnlose abgleiten, finden sich dort immer wieder wunderbar lesenswerte Perlen. Eine kürzlich abgegebene Meinung zu einem Artikel von Kurt Imhof bringt den Medienzirkus mit all seinen unterschiedlichen Akteuren sehr schön auf den Punkt: &#8230; <a href="http://thomnagy.com/2012/01/31/kommentar-trouvaille-auf-dem-medienspiegel/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1043&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Auch wenn viele Kommentarschlachten auf <a href="http://www.medienspiegel.ch/" target="_blank">medienspiegel.ch</a> schnell ins Sinnlose abgleiten, finden sich dort immer wieder wunderbar lesenswerte Perlen. Eine kürzlich abgegebene Meinung zu einem <a href="http://www.medienspiegel.ch/archives/003273.html" target="_blank">Artikel von Kurt Imhof</a> bringt den Medienzirkus mit all seinen unterschiedlichen Akteuren sehr schön auf den Punkt:</p>
<blockquote><p>Der “Superexperte” Imhof, wie Sie, Herr Kant, den Soziologen und Publizistikwissenschafter vom Dienst nennen, gehört zum Medienzirkus. Sie würden ganz schön ins Kissen heulen und schnuddern, gäbe es ihn nicht. Das vorweg. Dann: Ich habe schon dümmere Kreationen gelesen, als eben: Empörungsbewirtschaftung. Eingängig: ja. Als Phrase geeignet: von mir aus. Aber, Herr Kant, das war der Kategorische Imperativ auch, wenn Sie mir eine kleine Dümpelei erlauben. Der angemahnte Begriff könnte ja durchaus dazu führen, über die eigene Empörungsbewirtschaftungsbereitschaft zu reflektieren, über die eigene Lust, “traurig und wütend” zu sein und die Gefühle, über die man heute ja zum Glück nicht mehr schweigen muss (Lass es ‘raus, Mann!) in normiertem, mit Fremdwörtern und analytischem Zauber geschmücktem Betroffenheits-Geschwafel mit anderen zu multiplizieren – nicht immer (oder: nie) im Dienste der Klärung und Einordnung, sondern eher als Zusammengehörigkeitsgefühlsbewirtschaftung. Wenn die Medienleute zusammen in die Kissen heulen und schnuddern, weil Herr Imhof wieder einmal komplett daneben war, entsteht auch so ein wunderbarer Moment des Einander-Zunickens über alle Gräben und Besitzverhältnisse. Sitzen wir doch alle im gleichen Boot, gell? Die von der Uni müssen gar nicht meinen. Die Praktiker, das sind wir. Das, was wir verschlafen haben, verludern liessen oder nicht können, wollen wir ganz alleine aufdecken und bewirtschaften, im Fall.//Wo bleibt eigentlich die Käslischachtel-Medaille für den Superexperten?//Sie schreiben weiter, die Journalisten wühlen im Schlamm. Das mag sein. Aber wenn Sie meinen, Journalisten wühlen nur im Schlamm, um “Dinge offenzulegen, die Politiker, Manager und Prominente gerne zugedeckt hielten”, ist das nur die eine Seite der Käslischachtelmedaille, Herr Kant. Journalisten wühlen zuweilen im Schlamm und werfen Dreck und wirbeln Staub auf, weil sie Empörung generieren, bewirtschaften und die reale Situation massiv verschlimmern, sie auf die Streckbank legen, aufbauschen, allenfalls verzerren oder anreichern, einen “Skandal” künstlich am Leben erhalten, um im Gespräch zu bleiben, aufzufallen, sich anzubiedern, zu profilieren, gelesen zu werden.//Und: Läubli ist jenseits.</p></blockquote>
<p>via <a href="http://www.medienspiegel.ch/archives/003273.html#comments">Empörungsbewirtschaftung und Stimmungsdemokratie am Beispiel der «Blocher-Hildebrand-Affäre» | Medienspiegel.ch</a>.</p>
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		<title>The Growth of the Internet and the Happy Recession</title>
		<link>http://thomnagy.com/2012/01/31/the-growth-of-the-internet-and-the-happy-recession/</link>
		<comments>http://thomnagy.com/2012/01/31/the-growth-of-the-internet-and-the-happy-recession/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 07:54:44 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[notes]]></category>
		<category><![CDATA[deflation]]></category>
		<category><![CDATA[economy]]></category>

		<guid isPermaLink="false">http://thomnagy.com/?p=1036</guid>
		<description><![CDATA[Most popular web-based businesses are deflationary. They substitute expensive forms of content consumption for cheap ones, they make it logistically easier to deliver discounts to people who will respond to them, and they create numerous financially cheap forms of social &#8230; <a href="http://thomnagy.com/2012/01/31/the-growth-of-the-internet-and-the-happy-recession/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1036&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<blockquote><p>Most popular web-based businesses are deflationary. They substitute expensive forms of content consumption for cheap ones, they make it logistically easier to deliver discounts to people who will respond to them, and they create numerous financially cheap forms of social status. As more activity moves on to the web, the main effect on the economy will be broadly lower prices and less need for employment.</p></blockquote>
<p>via <a href="http://www.digital-dd.com/the-growth-of-the-internet-and-the-happy-recession/">The Growth of the Internet and the Happy Recession</a>.</p>
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		<title>ScHoolboy Q</title>
		<link>http://thomnagy.com/2012/01/30/schoolboy-q-there-he-go/</link>
		<comments>http://thomnagy.com/2012/01/30/schoolboy-q-there-he-go/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 22:58:14 +0000</pubDate>
		<dc:creator>thomnagy</dc:creator>
				<category><![CDATA[ideas]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://thomnagy.wordpress.com/?p=1026</guid>
		<description><![CDATA[&#160; &#8230; the only thing I can say for certain is that, while listening to it, I feel pulled completely into someone else&#8217;s center of gravity, which is maybe the most gratifying listener&#8217;s sensation there is. (Pitchfork)<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thomnagy.com&amp;blog=18866678&amp;post=1026&amp;subd=thomnagy&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<span style="text-align:center; display: block;"><a href="http://thomnagy.com/2012/01/30/schoolboy-q-there-he-go/"><img src="http://img.youtube.com/vi/KWlu8VhcqtM/2.jpg" alt="" /></a></span>
<span style="text-align:center; display: block;"><a href="http://thomnagy.com/2012/01/30/schoolboy-q-there-he-go/"><img src="http://img.youtube.com/vi/2QNLvVY4gn8/2.jpg" alt="" /></a></span>
<span style="text-align:center; display: block;"><a href="http://thomnagy.com/2012/01/30/schoolboy-q-there-he-go/"><img src="http://img.youtube.com/vi/LGRHKwFHvNM/2.jpg" alt="" /></a></span>
<p>&nbsp;</p>
<blockquote><p>&#8230; the only thing I can say for certain is that, while listening to it, I feel pulled completely into someone else&#8217;s center of gravity, which is maybe the most gratifying listener&#8217;s sensation there is. (<a href="http://pitchfork.com/reviews/albums/16216-schoolboy-q-habits-contradictions/" target="_blank">Pitchfork</a>)</p></blockquote>
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